Davis Miller QUOTES

Davis Miller
Bio

​Davis Miller is an American author renowned for his works that intertwine personal narrative with profiles of iconic figures, notably Muhammad Ali and Bruce Lee. His writing has appeared in publications such as Rolling Stone, Men’s Journal, Esquire, and Sports Illustrated.

Early Life and Inspiration

Miller's fascination with Muhammad Ali began in his youth. At the age of 11, following his mother's death, he found solace and inspiration in Ali's persona and achievements. This admiration profoundly influenced his personal and professional trajectory.

Career Highlights

Miller's literary career is marked by several acclaimed publications:​

  • "The Tao of Muhammad Ali" (1996): This memoir explores Miller's personal journey and his deep connection with Ali, blending reportage with autobiography. ​
  • "The Tao of Bruce Lee: A Martial Arts Memoir" (2000): In this work, Miller reflects on his experiences with martial arts and the influence of Bruce Lee on his life. ​
  • "Approaching Ali: A Reclamation in Three Acts" (2016): This book delves into Miller's decades-long friendship with Muhammad Ali, offering intimate insights into the boxer's life beyond the ring. ​

His first published story, "My Dinner with Ali," was a finalist for the 1990 National Magazine Award and was later selected by David Halberstam as one of the fifty best pieces of sports writing of the twentieth century.

Multimedia Contributions

Beyond writing, Miller co-authored the libretto for the chamber opera "Approaching Ali," which premiered at the John F. Kennedy Center for the Performing Arts in 2013. ​

Personal Life

Miller resides near Asheville, North Carolina, an area often referred to as the "Paris of the American South."  His enduring friendship with Muhammad Ali and his passion for martial arts continue to influence his work and personal endeavors.​

Life is constant movement - rhythmic as well as random. Life is continual change, not stagnation. Instead of choicelessly flowing with this process of change, many 'masters', past and present, rigidly subscribe to traditional concepts and techniques of the art, solidfiying the everflowing, dissecting the totality.